Tim Burton’sCorpse Bridehas two very different worlds, and colors them as such. The first is the Land of the Living, home to potential fiancées Victor and Victoria (along with the rest of the world). The other is a completely different stage of life, the Land of the Dead. Victor islaunched into this realm after he puts a ring on the eponymous Corpse Bride.The 2005 Tim Burton film is a stop-motion animated delight. withCorpse Bride’s leading voice castgiving game performances that highlight this divide

Not only are the Land of the Living and the Land of the Dead experientially separate, but they are also stylistically disparate. For a world of those who are alive, the Land of the Living is far more dreadful, with muted, cool colors that rely on blue and black tones. The Land of the Dead is far more vibrant, including distinctly more colors than the Land of the Living. Looking at the themes and stylistic touches exemplified byCorpse Bride’s sweet and stirring ending, it is fascinating to explore why these colors are the way they are.

Michael Keaton on fire as Beetlejuice in Beetlejuice Beetlejuice

The Land Of The Living Is Constricting

The Land of the Living’s dour colors inCorpse Bridereflect social constraintsthat the world suffers from. From the very beginning ofCorpse Bride, Victor clearly feels the constraints of the living in the lead-up to his wedding to Victoria. Victor is set up in an arranged marriage with Victoria, which in itself is inherently restrictive. To complete said union, Victor must recite specific vows and live up to a certain standard that sets certain pressures on him. The stripped-down color mimics this constricting tendency, giving theTim Burton moviea distinct visual element.

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In contrast,the Land of the Dead does not have these same restrictions. Unbound by the need to adhere to social conduct or even the need to stay alive, the Land of the Dead is a world of music, drinking, and play. Their colorful world mirrors this structure, wherein characters are free and shown in color. In a sense, the fact that these characters are dead makes them feel more alive because they are allowed to do far more than those inCorpse Bride’s Land of the Living.

A shot from the scene where Victor meets Emily and wakes up in the underworld in Corpse Bride.

The aesthetic and action in the Land of the Dead alsohelpCorpse Bridemaintain a grim tone that is not overwhelmingly dark.The character backgrounds and themes in this post-mortem universe are dark themselves, and the film could risk getting bogged down in such morbidity.Corpse Bride’s songs, colors and comedy of the Land of the Dead, however, allow the viewer to be distracted from these darker themes and instead focus on these fun elements.

Corpse Bride’s artistic merits led it to be nominated for an Academy Award for Best Animated Feature in 2006.

Corpse Bride Movie Poster

This plays into the film’s themes, highlighting the sense of freedom one experiences when freed from the dreary expectations and realities of life among the living. It underscores the emotional core of the film, highlighting how the larger emotions betweenVictor, Victoria, and Emilybrings out the liveliness in all of them. This servesCorpse Bridewell by keeping the film whimsical rather than downright depressing.

Corpse Bride

Cast

Directed by Mike Johnson and Tim Burton, Corpse Bride is a stop-motion fantasy-horror musical released in 2005. Set in the Victorian Era in England, a groom named Victor accidentally weds Emily, a skeletal woman, while practicing his vows alone in a forest. Whisked away to the Land of the Dead, Victor attempts to help Emily with the circumstances surrounding her fate while trying to escape his new temporary undead home.